Release and Reception
For Your Eyes Only was published on 11 April 1960 in the UK as a hardcover edition by publishers Jonathan Cape; it was 252 pages long and cost fifteen shillings. The subtitle, Five Secret Occasions in the Life of James Bond, was added for publication; 21,712 copies were printed and quickly sold out. For Your Eyes Only was published in the US in August 1960 by Viking Press and the subtitle was changed to Five Secret Exploits of James Bond; in later editions, it was dropped altogether.
| “ | No one in the history of thrillers has had such a totally brilliant artistic collaborator! | ” |
|
— Ian Fleming, in a letter to cover artist Richard Chopping. |
Artist Richard Chopping once again provided the cover art for the book. On 18 March 1959 Fleming had written to Chopping about the cover he had undertaken for Goldfinger, saying that: "The new jacket is quite as big a success as the first one and I do think Cape have made a splendid job of it". Moving on to For Your Eyes Only, Fleming said "I am busily scratching my head trying to think of a subject for you again. No one in the history of thrillers has had such a totally brilliant artistic collaborator!"
Read more about this topic: For Your Eyes Only (short story collection)
Famous quotes containing the words release and, release and/or reception:
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (18871965)
“As nature requires whirlwinds and cyclones to release its excessive force in a violent revolt against its own existence, so the spirit requires a demonic human being from time to time whose excessive strength rebels against the community of thought and the monotony of morality ... only by looking at those beyond its limits does humanity come to know its own utmost limits.”
—Stefan Zweig (18811942)
“Hes leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropfs and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)