Release and Reception
For Your Eyes Only was published on 11 April 1960 in the UK as a hardcover edition by publishers Jonathan Cape; it was 252 pages long and cost fifteen shillings. The subtitle, Five Secret Occasions in the Life of James Bond, was added for publication; 21,712 copies were printed and quickly sold out. For Your Eyes Only was published in the US in August 1960 by Viking Press and the subtitle was changed to Five Secret Exploits of James Bond; in later editions, it was dropped altogether.
| “ | No one in the history of thrillers has had such a totally brilliant artistic collaborator! | ” |
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— Ian Fleming, in a letter to cover artist Richard Chopping. |
Artist Richard Chopping once again provided the cover art for the book. On 18 March 1959 Fleming had written to Chopping about the cover he had undertaken for Goldfinger, saying that: "The new jacket is quite as big a success as the first one and I do think Cape have made a splendid job of it". Moving on to For Your Eyes Only, Fleming said "I am busily scratching my head trying to think of a subject for you again. No one in the history of thrillers has had such a totally brilliant artistic collaborator!"
Read more about this topic: For Your Eyes Only (short story collection)
Famous quotes containing the words release and, release and/or reception:
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (1887–1965)
“The steel decks rock with the lightning shock, and shake with the
great recoil,
And the sea grows red with the blood of the dead and reaches for his spoil—
But not till the foe has gone below or turns his prow and runs,
Shall the voice of peace bring sweet release to the men behind the
guns!”
—John Jerome Rooney (1866–1934)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)