Reception
A New York Times review called the film "caustically witty but slight." It goes on to say that "Švankmajer conceived the film in the 1970s, when it seemed too risky a political allegory to be made it now seems too simple a statement about how people are devoured by mechanistic states and each other."
Michael Nottingham pointed out that "he humour is particularly black in segment, mocking how delicate social ritual and conditioning are effective masks for brutal self-destruction."
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