Focal Skills Movie Technique
Focal Skills (or The Focal Skills Approach) refers to a specific non-traditional program design and assessment regime that purposely structures intensive foreign or second language instruction to align with student-centered, communicative language teaching that is skills-focused and content-based. When the principles and processes of the Focal Skills approach are used, the rate of student language acquisition is accelerated. This finding is particularly evident in the intermediate to advanced stages of acquisition—the stages of greatest concern when instructing a language for use in academic, business or other professional settings.
Focal Skills restructures program design by sequentially focusing attention on the development of one language skill area at a time until its mastery to a chosen threshold level is reached. Assessments in Listening, Reading, and Writing are used to determine whether the threshold level has been attained.
Teaching practices in Focal Skills programs are heavily influenced by the work of Stephen Krashen. There is an emphasis on comprehensible input using authentic materials. Activities that would raise a student's affective filter are generally avoided. The Focal Skills Movie Technique is an example of the kind of teaching used in this approach.
Read more about Focal Skills Movie Technique: Background, Outline, Movie Technique
Famous quotes containing the words skills, movie and/or technique:
“Some parents were awful back then and are awful still. The process of raising you didnt turn them into grown-ups. Parents who were clearly imperfect can be helpful to you. As you were trying to grow up despite their fumbling efforts, you had to develop skills and tolerances other kids missed out on. Some of the strongest people I know grew up taking care of inept, invalid, or psychotic parentsbut they know the parents werent normal, healthy, or whole.”
—Frank Pittman (20th century)
“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasnt there something reassuring about it!that human beings were in fact merely images of a kind registered in one anothers eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atomsnothing more. A quick switch of the dial and they disappeared and who could lament the loss?”
—Joyce Carol Oates (b. 1938)
“The moment a man begins to talk about technique thats proof that he is fresh out of ideas.”
—Raymond Chandler (18881959)