Plot
Composer Roger Bond (Gene Raymond) and his orchestra are appearing in Miami, with vocalist Honey Hales (Rogers). Despite the warnings of accordionist and assistant band leader Fred Ayres (Astaire), Roger is attracted to the beautiful and flirtatious Belinha (Dolores del Río) in the audience, he leaves the bandstand to pursue her.
Doña Elena (Blanche Friderici), Belinha's chaperone, is informed of this, and arranges for Roger and the band to be fired. But Roger pursues Belinha to Brazil, and organises as engagement for the band at the Hotel Atlantico in Rio de Janeiro, unaware that the hotel is owned by Belinha's father (Walter Walker). Roger persuades Belinha to allow him to fly her there in his private plane, which runs into trouble inflight, forcing a landing on an apparently deserted island. Under the moonlight, she falls into his arms, while admitting to him that she is already engaged.
In Rio, Roger informs his good friend Julio (Raul Roulien) that he has fallen in love, but finds out that Belinha is engaged to Julio. During rehearsals for the Hotel's opening, Fred is told by police that the hotel lacks an entertainment license. When Roger spots a plane overhead, he comes up with the idea of strapping dancing girls to planes, with Fred leading the band and Honey and Julio leading the planes. The show is a great success and the hotel's future guaranteed. Julio gives Belinha up to Roger while Fred and Honey celebrate.
Read more about this topic: Flying Down To Rio
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“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)