Performance
Fluminense Football Club took part in 36 of the 38 official Serie A championships organized in Brazil since 1971. Since the number of participating teams has changed considerably over time, any accurate performance measurement must take this variable into account. In the two tables below, the performance field for a given position p in a universe of n teams was calculated using the formula:
This allows for an asymptotic limit of 100%, since p will never be zero.
| Year | Position | Participants | Performance | Year | Position | Participants | Performance |
|---|---|---|---|---|---|---|---|
| 1971 | 16 | 20 | 20% | 1981 | 11 | 44 | 75% |
| 1972 | 14 | 26 | 46% | 1982 | 5 | 44 | 89% |
| 1973 | 23 | 40 | 42% | 1983 | 18 | 44 | 59% |
| 1974 | 24 | 40 | 40% | 1984 | 1 | 41 | 98% |
| 1975 | 3 | 42 | 93% | 1985 | 22 | 44 | 50% |
| 1976 | 4 | 54 | 93% | 1986 | 6 | 48 | 87% |
| 1977 | 26 | 62 | 58% | 1987 | 7 | 16 | 56% |
| 1978 | 22 | 74 | 70% | 1988 | 3 | 24 | 87% |
| 1979 | 52 | 94 | 45% | 1989 | 15 | 22 | 32% |
| 1980 | 11 | 44 | 75% | 1990 | 15 | 20 | 25% |
| Year | Position | Participants | Performance | Year | Position | Participants | Performance |
|---|---|---|---|---|---|---|---|
| 1991 | 4 | 20 | 80% | 2001 | 3 | 28 | 89% |
| 1992 | 14 | 20 | 30% | 2002 | 4 | 26 | 85% |
| 1993 | 28 | 32 | 12% | 2003 | 19 | 24 | 21% |
| 1994 | 15 | 24 | 37% | 2004 | 9 | 24 | 62% |
| 1995 | 4 | 24 | 83% | 2005 | 5 | 22 | 77% |
| 1996 | 23 | 24 | 4% | 2006 | 15 | 20 | 25% |
| 1997 | 25 | 26 | 4% | 2007 | 4 | 20 | 80% |
| 1998 | Série B | 2008 | 14 | 20 | 30% | ||
| 1999 | Série C | 2009 | 16 | 20 | 20% | ||
| 2000 | 3 | 25 | 88% | 2010 | 1 | 20 | 95% |
| 2011 | 3 | 20 |
Fluminense Football Club has an average performance of 57% in Série A, with a standard deviation of 28%.
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Famous quotes containing the word performance:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
“They say all lovers swear more performance than they are able, and yet reserve an ability that they never perform; vowing more than the perfection of ten, and discharging less than the tenth part of one.”
—William Shakespeare (1564–1616)
“Kind are her answers,
But her performance keeps no day;
Breaks time, as dancers,
From their own music when they stray.”
—Thomas Campion (1567–1620)