Works
Of the four works attributed to Pinar, "Canción de una dama que dice Florencia Pinar" (Song by a Dame Called Florencia Pinar), "Glosa de Florencia" (Florencia’s Gloss), "Cancion de Florencia Pinar" (Song of Florencia Pinar), "and Otra canción de la misma señora a unas perdices que le enviaron vivas" (Another Song of the Same Lady About Some Partridges Sent to Her Alive), the latter is the most well known for its symbolism and hidden themes:
It is in this work that Pinar shows her ability to play with language and create conceits (conceptismo), by showing love’s dual role of providing both pleasure and pain. Also evident is her characteristic use of indirect sexual allusions. During this time period partridges served as an archetype of female promiscuity because female partridges are known to be easily impregnated birds. This playful use of symbolism is one of the distinguishing features of Pinar’s poetry. The prevailing theme of her poetry is love, but there is also much ambiguity in her tone. Throughout the centuries, scholars have often speculated about whether this love about which she so frequently writes is platonic or sexual in nature.
Read more about this topic: Florencia Del Pinar
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