American Stage
In her first year in the United States Le Breton acted the part of a waif who inherits the wealth of a long-lost grandfather, Lord Maxwell. The play was Lass o' Laughter. Her character necessitates that she enunciate a Glaswegian Scottish accent. A reviewer praised her appearance, commenting Miss Le Breton's beauty is of the Dresden doll type. In November 1925 she was featured in the Henry W. Savage production, The Balcony Walker, which played the Lyric Theatre in Bridgeport, Connecticut. By March 1926 she had given up her film career to appear in a New York City revue, The Optimists. Le Breton was reviewed favourably for her role in the School For Husbands, which was produced by the Theatre Guild in 1933. Osgood Perkins and June Walker were among those in the play.
Read more about this topic: Flora Le Breton
Famous quotes containing the words american and/or stage:
“No slogan of democracy; no battle cry of freedom is more striving then the American parent’s simple statement which all of you have heard many times: ‘I want my child to go to college.’”
—Lyndon Baines Johnson (1908–1973)
“It is a mass language only in the same sense that its baseball slang is born of baseball players. That is, it is a language which is being molded by writers to do delicate things and yet be within the grasp of superficially educated people. It is not a natural growth, much as its proletarian writers would like to think so. But compared with it at its best, English has reached the Alexandrian stage of formalism and decay.”
—Raymond Chandler (1888–1959)