American Stage
In her first year in the United States Le Breton acted the part of a waif who inherits the wealth of a long-lost grandfather, Lord Maxwell. The play was Lass o' Laughter. Her character necessitates that she enunciate a Glaswegian Scottish accent. A reviewer praised her appearance, commenting Miss Le Breton's beauty is of the Dresden doll type. In November 1925 she was featured in the Henry W. Savage production, The Balcony Walker, which played the Lyric Theatre in Bridgeport, Connecticut. By March 1926 she had given up her film career to appear in a New York City revue, The Optimists. Le Breton was reviewed favourably for her role in the School For Husbands, which was produced by the Theatre Guild in 1933. Osgood Perkins and June Walker were among those in the play.
Read more about this topic: Flora Le Breton
Famous quotes containing the words american and/or stage:
“The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even belligerence. It is seldom accepted as an inevitable outcome of the struggle won by survivors, and deserves respect if not enthusiastic acceptance.”
—Maya Angelou (b. 1928)
“Even in civilized communities, the embryo man passes through the hunter stage of development.”
—Henry David Thoreau (1817–1862)