Reception
With its complex characters, low-key atmosphere, and sumptuous cinematography, the movie was widely critically acclaimed. It was featured on Roger Ebert's Top 10 Best Films List of 1992. This movie ranked number 46 on Entertainment Weekly's list of the 50 Best High School Movies.
The New York Times film review of 6 November 1992 commented:
- There is a kind of painless calm about "Flirting." The film is simultaneously attractive and just a little dull. Mr. Duigan avoids melodrama, which is all to the good. Yet his gift for the acutely observed commonplace detail is neither strong nor original enough to transform the movie into something comparable to so many similar, better films. The best things about "Flirting" are the performances. Ms. Newton is delightful as Thandiwe, who is far more sophisticated than Danny and wise enough never to let him know it. Mr. Taylor is also good, although the troubled Danny is not an easy character to play. He's virtually the generic artist-as-a-young-man. Nicole Kidman appears in a supporting role as one of Thandiwe's older classmates, who is less of a snob than she first appears.
The Washington Post of 20 November 1992 commented:
- The movie is full of wonderful scenes: Newton caught hiding in a boys' toilet stall as the unsuspecting lads come in to shower, a line of uniformed boys ritualistically facing a row of ballroom-gowned girls at a school dance, and so on. "Flirting" is also full of amusing rejoinders and comments: "Remember her needs as well as yours," suggests Taylor's friend with secondhand Kamasutra wisdom when Taylor heads toward an intended sensual tryst. "If you can give her pleasure, she'll be back for more."
Read more about this topic: Flirting (film)
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)