Flip Jump - Common Technique Flaws

Common Technique Flaws

The flip is also similar to the lutz jump, a toe-assisted jump which takes off a back outside rather than back inside edge. In the same way that some skaters flutz, or turn an intended lutz jump into a flip by mistakenly changing to the wrong edge on the takeoff, some skaters have a tendency to lip their flips by mistakenly changing to an outside edge so that it is actually a lutz jump. Some skaters never manage to get on a strong edge for either the flip or lutz, a habit that is probably reinforced by the trend to enter both of these jumps from a straight line rather than on a curve. Skating purists tend to cringe at wrong-edge takeoffs, but in recent years it has become increasingly common for judges to overlook these faults. During the 2007 Grand Prix series this trend changed; the technical judges began penalizing wrong-edge takeoffs on all skaters.

Another notable technique flaw that appears in many skaters' flips (and Lutz jumps) is "hammer toe," which occurs when the free leg rises unusually high, typically near (in some cases above) hip height, before descending to strike the ice. This can make the jump easier to rotate but sacrifices height and some control.

Read more about this topic:  Flip Jump

Famous quotes containing the words common, technique and/or flaws:

    It is the characteristic of great poems that they will yield of their sense in due proportion to the hasty and the deliberate reader. To the practical they will be common sense, and to the wise wisdom; as either the traveler may wet his lips, or an army may fill its water-casks at a full stream.
    Henry David Thoreau (1817–1862)

    The moment a man begins to talk about technique that’s proof that he is fresh out of ideas.
    Raymond Chandler (1888–1959)

    “Mother” has always been a generic term synonymous with love, devotion, and sacrifice. There’s always been something mystical and reverent about them. They’re the Walter Cronkites of the human race . . . infallible, virtuous, without flaws and conceived without original sin, with no room for ambivalence.
    Erma Bombeck (20th century)