Production
The early drafts for a script were written in 1977, and the same year a team consisting of Jan Troell, the producer Bengt Forslund, the original writer of the novel Per Olof Sundman and a few other people went to Spitsbergen for location scouting. Troell was at the time in the post-production process of his film Bang!, and when Bang! was selected for the 1977 Cannes Film Festival, the plan was to use the festival to attract investors. However, Bang! was poorly received and the interest faded even from the Swedish Film Institute. The project was put on hold and Troell went to the United States to direct Hurricane, an assignment he was offered after the previous director Roman Polanski had suddenly left the country to avoid sentencing for unlawful sexual intercourse with a thirteen-year-old in Los Angeles.
When Troell returned to Sweden, and the film institute had gotten Jörn Donner as its new managing director, the project was revived. In May 1979 the new writing process started, this time led by Georg Oddner and Klaus Rifbjerg, with Donner himself as producer. The financing was difficult, not least because it coincided with the making of Fanny and Alexander, at the time the most expensive Swedish film ever made.
Read more about this topic: Flight Of The Eagle
Famous quotes containing the word production:
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)