Fletcher Moss Botanical Garden - History

History

The main part of the gardens is a walled rock garden which was laid out by the botanist Robert Wood Williamson on a south-facing slope. Williamson sold the gardens and rockery along with his house, called The Croft, to Alderman Fletcher Moss, in 1912.

Fletcher Moss, born in July 1843, was a philanthropist who led many public works in Manchester; in 1915 he persuaded the philanthropist Andrew Carnegie to fund the construction of a public library in Didsbury. He lived in the Old Parsonage by St James's Church, Stenner Lane, having taken over residence from the vicar, a Rev W J Kidd, who left the property complaining it was haunted. In 1919 he gifted the gardens to the people of Manchester, declaring he had “determined to offer all that part of my property extending from the Fletcher Moss Playing Fields to Stenner Lane, to the corporation if I could retain the use of it for my life”.

Fletcher Moss spent most of his time looking at old buildings, strangely, he wrote books and novels.

Robert Williamson's old house, the Croft, was the location of the first meeting of the organisation later to become known as the Royal Society for the Protection of Birds. In 1889, Emily Williamson née Bateson (Robert’s wife) formed a group called the ‘Plummage League’ to protest against the breeding of birds for plumage to be used in women's hats, a highly fashionable practice at the time. The group gained popularity and eventually amalgamated with the ‘Fur and Feather League’ in Croydon, and formed the RSPB. Garden

Read more about this topic:  Fletcher Moss Botanical Garden

Famous quotes containing the word history:

    I cannot be much pleased without an appearance of truth; at least of possibility—I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.
    Frances Burney (1752–1840)

    Every literary critic believes he will outwit history and have the last word.
    Mason Cooley (b. 1927)

    Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
    Bertolt Brecht (1898–1956)