Architectural Painting
Interior architectural views, usually of churches, developed out of the late sixteenth-century works of Hans Vredeman de Vries. Many were actual locations. Pieter Neeffs I, for example, made numerous interiors of the Cathedral of Our Lady, Antwerp. Hendrik van Steenwijk II, on the other hand, followed Vredeman's precedent in painting imaginary interiors. The genre continued in the later seventeenth-century by Anton Ghering and Willem Schubart von Ehrenberg, but the Flemish examples do not demonstrate the same level of innovation found in the Dutch perspectives of Pieter Jansz Saenredam or Emanuel de Witte.
Read more about this topic: Flemish Baroque Painting
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“This is the essential distinctioneven oppositionbetween the painting and the film: the painting is composed subjectively, the film objectively. However highly we rate the function of the scenario writerin actual practice it is rated very lowwe must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.”
—Sir Herbert Read (18931968)