Musical Style
"Any instrument is just a vehicle to express who you are and your relationship to the world. No matter what level you’re doing it on, playing music is an opportunity to give something to the world."
—Flea, Bass Player, June 2006Flea has displayed a wide variety of techniques throughout the years, ranging from his initial use of slapping and popping to the more traditional methods he has employed since Blood Sugar Sex Magik. Greg Prato of Allmusic has noted, that "by combining funk-style bass with psychedelic, punk, and hard rock, Flea created an original playing style that has been copied numerous times". Flea stated in an interview, that he was influenced greatly by Louis Armstrong. Flea has been considered one of the greatest bassists of all time, with Greg Tate of Rolling Stone saying "if there were a Most Valuable Bass Player award given out in rock, Flea could have laid claim to that bitch ten years running". The Smashing Pumpkins front man Billy Corgan recalls, that when he first saw the Chili Peppers in 1984, "Flea was playing so aggressively that he had worn a hole in his thumb and he was literally screaming in pain in-between songs because it hurt so bad. Someone kept coming out and pouring crazy glue into the hole." Flea's sound is also determined by what type of instrument he plays. Before Californication, he did not believe the actual bass held much significance: "what mattered was how you hit them and your emotional intent, and I still think that's the bottom line." Flea owns a 1961 Fender Jazz Bass, treasuring it for its "old wood sound". He has contributed to the Red Hot Chili Peppers' sound not only with the bass but by playing trumpet, as well; it can be heard on several songs, such as "Subway to Venus" and "Taste The Pain" from their fourth album Mother's Milk or "Torture Me" and "Hump De Bump" from their ninth album Stadium Arcadium.
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Famous quotes containing the words musical and/or style:
“Through man, and woman, and sea, and star,
Saw the dance of nature forward far;
Through worlds, and races, and terms, and times,
Saw musical order, and pairing rhymes.”
—Ralph Waldo Emerson (18031882)
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of ones own style and creatively adjust this to ones author.”
—Paul Goodman (19111972)