Flavor text is the name given to text for action figure character backgrounds, playing cards, or within the pages of a role-playing game's rulebook. While appropriate to the product's or game's story concept, it usually has no effect on the mechanics of the game, but instead serves to add realism or characterization to the item in question. Flavor text is often the last text on a card or on the rear of a toy card or package, and is usually printed in italics or written between quotes to distinguish it from game-affecting text.
Flavor text was popularized by the dossiers of 1980s toys, primarily G.I. Joe filecards and Transformers tech-specs, but is now more commonly associated with games such as Magic: The Gathering. Games featuring flavor text include:
- Chez Geek
- Chaotic Trading Card Game
- City of Heroes Collectible Card Game
- The Lord of the Rings Trading Card Game
- Magic: The Gathering
- Munchkin
- Neopets Trading Card Game
- Pokémon Trading Card Game
- Talisman
- Yu-Gi-Oh! Trading Card Game (Only on Normal Monsters)
- Arkham Horror
In most cases, the flavor text attempts to add depth or background to the item, providing a form of context. This helps to establish the (often fictional) universe to which the item belongs.
A unique spin on flavor text in a card game can be seen in the long-lived Star Wars Customizable Card Game. Many cards with flavor text also include special keywords (such as Spy, Hologram, or Bounty Hunter) that can be spotted by other cards for bonuses or penalties. The flavor text on character cards is also one of the few ways of distinguishing that character's species (which is an important factor in most decks).
Read more about Flavor Text: Flavor Text in Puzzles
Famous quotes containing the words flavor and/or text:
“...In the past, as now, [Hollywood] was a stamping ground for tastelessness, violence, and hyperbole, but once upon a time it turned out a product which sweetened the flavor of life all over the world.”
—Anita Loos (1888–1981)
“Great speeches have always had great soundbites. The problem now is that the young technicians who put together speeches are paying attention only to the soundbite, not to the text as a whole, not realizing that all great soundbites happen by accident, which is to say, all great soundbites are yielded up inevitably, as part of the natural expression of the text. They are part of the tapestry, they aren’t a little flower somebody sewed on.”
—Peggy Noonan (b. 1950)