Production
According to Harmon and Glut, Flash Gordon had a budget of over a million dollars. Stedman, however, writes that it was "reportedly" $350,000.
A lot of props and other elements were recycled from earlier Universal productions. The watchtower from Frankenstein (1931) appeared as Zarkov's base. The Egyptian idol from The Mummy (1932) became the idol of the Great God Tao. Shots of Earth from space came from The Invisible Ray (1936). The Rocket Ships were reused from Just Imagine (1930). Ming's attack on Earth used footage from old silent newsreels. An entire dance segment from The Midnight Sun (1927) was used. A laboratory comes from Bride of Frankenstein. The music was recycled from several other films.
Exterior shots, such as the crew from Earth's first steps on Mongo, were filmed at Bronson Canyon.
Crash Corrigan, who would later be the lead in other serials, wore a modified gorilla suit as the "Orangapoid".
Flash Gordon was intended to regain an adult audience for serials. It was shown in 'A' Theaters in large cities across the United States. Many newspapers, including some not carrying the Flash Gordon comic strip, contained half and three-quarter page feature stories in their entertainment pages with Alex Raymond drawings and stills from the serial.
Flash Gordon was the first outright science fiction serial, although earlier serials had contained science fiction elements such as gadgets. Six of the fourteen science fiction serials were released within five years of Flash Gordon.
The serial film was subsequently released as a 97 minute feature named Rocket Ship. Alternate titles for this film include Spaceship to the Unknown and Atomic Rocketship. The TV version was named Space Soldiers.
Read more about this topic: Flash Gordon (serial)
Famous quotes containing the word production:
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (18201895)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (18181883)