Plot and Satire
The film is an extreme parody of Enid Blyton's Famous Five books, in which the titular Five — children Julian (Richardson), Dick (Adrian Edmondson), George (Dawn French), Anne (Jennifer Saunders) and their dog Timmy — investigate the disappearance of their Uncle Quentin (Ronald Allen). Daniel Peacock and Robbie Coltrane also made appearances, the latter in his first television role.
The satire on display parodied established aspects of Blyton's books in addition to placing newer, sinister overtones onto them. Examples of the former include repeated demeaning reference to Anne as a "proper little housewife", the gang's propensity for overhearing shady conversations between criminals (portrayed in the film by burly thugs muttering "Blah blah blah, stolen plans, blah blah blah, missing scientists" and so on) and their taste for outdoor picnics of "ham and turkey sandwiches, bags of lettuce, hard-boiled eggs, heaps of tomato, and lashings of ginger beer". (Indeed, the film's catchphrase "lashings of ginger beer" became so well known that it is now often mistakenly attributed to Blyton herself, although it never appears in any of the Famous Five books.)
The film also portrayed Uncle Quentin as a "screaming homosexual" and his wife Fanny as an "unrelenting nymphomaniac", as well as implying a homosexual relationship between Dick and Julian and a bestial one between George and Timmy:
Timmy's wagging tail is seen sticking out of the girls' tent.
GEORGE (groans): Oh Timmy. You're so licky!
ANNE: You shouldn't let him do that George. It's not hygienic.
GEORGE: We like it, don't we, Timmy?
TIMMY: Woof!
In addition, much was made of the children's apparently racist and extreme right-wing views — a reference to the controversy that has retrospectively haunted Blyton's work. Despite all of this, however, Blyton's estate were said to have "loved" the film.
Read more about this topic: Five Go Mad In Dorset
Famous quotes containing the words plot and/or satire:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“The satirist who writes nothing but satire should write but little—or it will seem that his satire springs rather from his own caustic nature than from the sins of the world in which he lives.”
—Anthony Trollope (1815–1882)