Fitzwilliam Sonatas - Movements

Movements

The three sonatas in Dart's arrangement (the one illustrated in the accompanying sound files) are:

  • The Sonata in B-flat major (HWV 377, c. 1724–25)
  1. Corrente
  2. Adagio
  3. Allegro
  • Movements 7 & 6, reversed from their order in the Sonata in D minor (HWV 367a, Op. 1, No. 9a, c. 1725–26), (using an earlier version of movement 6, the Andante in D minor, HWV 409, c. 1725–26), and the Menuet in D minor (HWV 462, c. 1724–26, originally for solo keyboard), with the note values doubled and time signature changed from 6/8 to 3/4, to which is added a double (variation) composed by Dart.
  1. A tempo di Menuet
  2. Andante
  3. Menuet
  • Movements 1–5 from the Sonata in D minor (HWV 367a, c. 1725–26).
  1. Largo
  2. Vivace
  3. Furioso
  4. Adagio
  5. Alla breve

The movements of Handel's two original sonatas, as given in both Klaus Hofmann's and David Lasocki and Walter Bergmann's editions, are:

  • Sonata in B-flat major (HWV 377)
  1. Adagio
  2. Allegro
  • Sonata in D minor (HWV 367a)
  1. Largo
  2. Vivace
  3. Furioso ; Presto
  4. Adagio
  5. Alla breve
  6. Andante
  7. A tempo di menuet

The Sonata in G major (HWV 358) does not even carry the title "Sonata" in the manuscript, let alone any specification of instrumentation, nor are there any tempo markings for its three movements. The editions by Hofmann and Best, though disagreeing about the intended solo instrument (recorder or violin, respectively), do supply the same tempo markings:

The Violin sonata in G minor (HWV 364a) is marked simply "Violino Solo" in the Fitzwilliam autograph. The movements as given in Terence Best's edition are:

  1. Larghetto
  2. Allegro
  3. Adagio
  4. Allegro

Read more about this topic:  Fitzwilliam Sonatas

Famous quotes containing the word movements:

    He sways his head from side to side, with movements like a snake;
    And when you think he’s half asleep, he’s always wide awake.
    —T.S. (Thomas Stearns)

    His reversed body gracefully curved, his brown legs hoisted like a Tarentine sail, his joined ankles tacking, Van gripped with splayed hands the brow of gravity, and moved to and fro, veering and sidestepping, opening his mouth the wrong way, and blinking in the odd bilboquet fashion peculiar to eyelids in his abnormal position. Even more extraordinary than the variety and velocity of the movements he made in imitation of animal hind legs was the effortlessness of his stance.
    Vladimir Nabokov (1899–1977)

    The novel is not “a crazy quilt of bits”; it is a logical sequence of psychological events: the movements of stars may seem crazy to the simpleton, but wise men know the comets come back.
    Vladimir Nabokov (1899–1977)