Fitzwilliam Sonatas - Movements

Movements

The three sonatas in Dart's arrangement (the one illustrated in the accompanying sound files) are:

  • The Sonata in B-flat major (HWV 377, c. 1724–25)
  1. Corrente
  2. Adagio
  3. Allegro
  • Movements 7 & 6, reversed from their order in the Sonata in D minor (HWV 367a, Op. 1, No. 9a, c. 1725–26), (using an earlier version of movement 6, the Andante in D minor, HWV 409, c. 1725–26), and the Menuet in D minor (HWV 462, c. 1724–26, originally for solo keyboard), with the note values doubled and time signature changed from 6/8 to 3/4, to which is added a double (variation) composed by Dart.
  1. A tempo di Menuet
  2. Andante
  3. Menuet
  • Movements 1–5 from the Sonata in D minor (HWV 367a, c. 1725–26).
  1. Largo
  2. Vivace
  3. Furioso
  4. Adagio
  5. Alla breve

The movements of Handel's two original sonatas, as given in both Klaus Hofmann's and David Lasocki and Walter Bergmann's editions, are:

  • Sonata in B-flat major (HWV 377)
  1. Adagio
  2. Allegro
  • Sonata in D minor (HWV 367a)
  1. Largo
  2. Vivace
  3. Furioso ; Presto
  4. Adagio
  5. Alla breve
  6. Andante
  7. A tempo di menuet

The Sonata in G major (HWV 358) does not even carry the title "Sonata" in the manuscript, let alone any specification of instrumentation, nor are there any tempo markings for its three movements. The editions by Hofmann and Best, though disagreeing about the intended solo instrument (recorder or violin, respectively), do supply the same tempo markings:

The Violin sonata in G minor (HWV 364a) is marked simply "Violino Solo" in the Fitzwilliam autograph. The movements as given in Terence Best's edition are:

  1. Larghetto
  2. Allegro
  3. Adagio
  4. Allegro

Read more about this topic:  Fitzwilliam Sonatas

Famous quotes containing the word movements:

    In a universe that is all gradations of matter, from gross to fine to finer, so that we end up with everything we are composed of in a lattice, a grid, a mesh, a mist, where particles or movements so small we cannot observe them are held in a strict and accurate web, that is nevertheless nonexistent to the eyes we use for ordinary living—in this system of fine and finer, where then is the substance of a thought?
    Doris Lessing (b. 1919)

    He sways his head from side to side, with movements like a snake;
    And when you think he’s half asleep, he’s always wide awake.
    —T.S. (Thomas Stearns)

    The short lesson that comes out of long experience in political agitation is something like this: all the motive power in all of these movements is the instinct of religious feeling. All the obstruction comes from attempting to rely on anything else. Conciliation is the enemy.
    John Jay Chapman (1862–1933)