Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| GameRankings | 88.57% |
| Review scores | |
| Publication | Score |
| Electronic Gaming Monthly | 8 out of 10 |
| Eurogamer | 9 out of 10 |
| Game Informer | 8.75 out of 10 |
| GamePro | 4.5 out of 5 |
| GameSpot | 8.9 out of 10 |
| IGN | 9.5 out of 10 |
| Nintendo Power | 4.6 of 5 |
The popularity of Marth and Roy in Super Smash Bros. Melee partly influenced Nintendo to localize Fire Emblem games for North America and Europe. This is the first Fire Emblem game released outside of Japan, and it was designed with North American localization in mind. Since its release in North America and Europe, each new installment of the Fire Emblem series has seen a release in Western markets except for Fire Emblem: Shin Monshō no Nazo: Hikari to Kage no Eiyū.
Critics likened the game to Advance Wars, while also acknowledging the differences between the two games. IGN's Craig Harris deeply appreciated the game's substantial single player, but was disappointed with the multiplayer mode, which he rated as substandard compared to Advance Wars. GameSpot's Bethany Massimilla lauded the visuals of the game, commenting that "the game sports attractive artwork in the form of character portraits." Most critics also welcomed the music in the game, with Eurogamer's Tom Bramwell commenting that "the battle themes, map themes, and various other tunes used in cut-scenes are never annoying."
Fire Emblem has received critical acclaim for its epic story and unusually deep character development and gameplay. The game has received many high ratings including an 8.9/10 from GameSpot and it has received an Editor's Choice Award from both IGN and GameSpy. In 2007, it was named 16th best Game Boy Advance game of all time in IGN's feature reflecting on the Game Boy Advance's long lifespan. Fire Emblem sold over 345,000 units in Japan and 331,000 units in North America.
Read more about this topic: Fire Emblem (video game)
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)