Music
The music of Final Fantasy IX was created by Nobuo Uematsu, his last exclusive Final Fantasy score until Final Fantasy XIV, released a decade later. In discussions with Ito, Uematsu was told "It'd be fine if you compose tracks for the eight characters, an exciting battle track, a gloomy, danger-evoking piece, and around ten other tracks." However, Uematsu spent an estimated year composing and producing "around 160" pieces for Final Fantasy IX, with 140 appearing in the game.
Nobuo Uematsu composed with a piano and used two contrasting methods: "I create music that fits the events in the game, but sometimes, the event designer will adjust a game event to fit the music I've already written." Uematsu felt Final Fantasy VII and Final Fantasy VIII had a mood of realism, but Final Fantasy IX was fantasy, so "a serious piece with silly, fun pieces could fit in." He felt the theme was medieval music, and was given a break to travel in Europe for inspiration—"looking at old castles in Germany and so on". The music was not entirely composed in the medieval mode; Uematsu claims "it would be unbalanced" and "a little boring". He aimed for a "simple, warm" style and included uncommon instruments like the kazoo and dulcimer. Uematsu also included motifs from older Final Fantasy games "because Final Fantasy IX was returning to the roots, so to speak" and incorporated ideas like "the old intro for battle music" and arranged the Volcano theme from Final Fantasy and the Pandemonium theme from Final Fantasy II. Tantalus' band is also heard playing "Rufus' Welcoming Ceremony" from Final Fantasy VII near the beginning of the game.
Uematsu was twice reported claiming without hesitation that Final Fantasy IX was his favorite score. The original soundtrack for the game has 110 tracks; an additional soundtrack, Final Fantasy IX Original Soundtrack PLUS, was released with 42 more new tracks. Like Final Fantasy VIII and Final Fantasy X, Final Fantasy IX features a J-pop ballad, Melodies of Life. The song was composed by Uematsu, written by Hiroyuki Ito (as Shiomi) in Japanese and Alexander O. Smith in English, and performed by Emiko Shiratori. The song itself was sung in Japanese for the Japanese release of the game, and in English for the North American and European releases.
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Famous quotes containing the word music:
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)
“The band waked me with a serenade. How they improve! A fine band and what a life in a regiment! Their music is better than food and clothing to give spirit to the men.”
—Rutherford Birchard Hayes (1822–1893)
“As polishing expresses the vein in marble, and grain in wood, so music brings out what of heroic lurks anywhere. The hero is the sole patron of music.”
—Henry David Thoreau (1817–1862)