Final Cut Pro - Major Films Edited With Final Cut Pro

Major Films Edited With Final Cut Pro

This section needs additional citations for verification.
  • The Rules of Attraction (2002)
  • Full Frontal (2002)
  • The Ring (2002)
  • Cold Mountain (2003) (Academy Award nominee for Best Editing – Walter Murch)
  • Intolerable Cruelty (2003)
  • Open Water (2003)
  • Red vs. Blue (2003)
  • Napoleon Dynamite (2004)
  • The Ladykillers (2004)
  • Sky Captain and the World of Tomorrow (2004)
  • Super Size Me (2004)
  • Corpse Bride (2005)
  • Dreamer: Inspired by a True Story (2005)
  • Happy Endings (2005)
  • Jarhead (2005)
  • Little Manhattan (2005)
  • Me and You and Everyone We Know (2005)
  • 300 (2007)
  • Black Snake Moan (2006)
  • Happy Feet (2006)
  • Zodiac (2007)
  • The Simpsons Movie (2007)
  • No Country for Old Men (2007) (Academy Award nominee for Best Editing – Roderick Jaynes)
  • Reign Over Me (2007)
  • Youth Without Youth (2007)
  • Balls of Fury (2007)
  • Gabriel (2007)
  • Enchanted (2007)
  • Traitor (2008)
  • Burn After Reading (2008)
  • The X-Files: I Want to Believe (2008)
  • The Curious Case of Benjamin Button (2008) (Academy Award nominee for Best Editing - Kirk Baxter and Angus Wall)
  • X-Men Origins: Wolverine (2009)
  • (500) Days of Summer (2009)
  • Where the Wild Things Are (2009)
  • A Serious Man (2009)
  • Tetro (2009)
  • By the People: The Election of Barack Obama (2009)
  • Gamer (2009)
  • Eat, Pray, Love (2010)
  • True Grit (2010)
  • The Social Network (2010) (Academy Award winner for Best Editing - Kirk Baxter and Angus Wall)
  • The Girl with the Dragon Tattoo (2011) (Academy Award winner for Best Editing - Kirk Baxter and Angus Wall)
  • Twixt (2011)
  • Courageous (2011)
  • John Carter (2012)
  • Hemingway & Gellhorn (2012)
  • Indie Game: The Movie (2012)

Read more about this topic:  Final Cut Pro

Famous quotes containing the words major, films, edited, final, cut and/or pro:

    What, really, is wanted from a neighborhood? Convenience, certainly, an absence of major aggravation, to be sure. But perhaps most of all, ideally, what is wanted is a comfortable background, a breathing space of intermission between the intensities of private life and the calculations of public life.
    Joseph Epstein (b. 1937)

    Right now I think censorship is necessary; the things they’re doing and saying in films right now just shouldn’t be allowed. There’s no dignity anymore and I think that’s very important.
    Mae West (1892–1980)

    He was high and mighty. But the kindest creature to his slaves—and the unfortunate results of his bad ways were not sold, had not to jump over ice blocks. They were kept in full view and provided for handsomely in his will. His wife and daughters in the might of their purity and innocence are supposed never to dream of what is as plain before their eyes as the sunlight, and they play their parts of unsuspecting angels to the letter.
    —Anonymous Antebellum Confederate Women. Previously quoted by Mary Boykin Chesnut in Mary Chesnut’s Civil War, edited by C. Vann Woodward (1981)

    Remember the waterfront shack with the sign FRESH FISH SOLD HERE. Of course it’s fresh, we’re on the ocean. Of course it’s for sale, we’re not giving it away. Of course it’s here, otherwise the sign would be someplace else. The final sign: FISH.
    Peggy Noonan (b. 1950)

    I cut my teeth as the black raccoon—
    For implements of battle.
    Countee Cullen (1903–1946)

    It is sweet and honourable to die for one’s country.
    [Dulce et decorum est pro patria mori.]
    Horace [Quintus Horatius Flaccus] (65–8 B.C.)