Final Cut Pro - Major Films Edited With Final Cut Pro

Major Films Edited With Final Cut Pro

This section needs additional citations for verification.
  • The Rules of Attraction (2002)
  • Full Frontal (2002)
  • The Ring (2002)
  • Cold Mountain (2003) (Academy Award nominee for Best Editing – Walter Murch)
  • Intolerable Cruelty (2003)
  • Open Water (2003)
  • Red vs. Blue (2003)
  • Napoleon Dynamite (2004)
  • The Ladykillers (2004)
  • Sky Captain and the World of Tomorrow (2004)
  • Super Size Me (2004)
  • Corpse Bride (2005)
  • Dreamer: Inspired by a True Story (2005)
  • Happy Endings (2005)
  • Jarhead (2005)
  • Little Manhattan (2005)
  • Me and You and Everyone We Know (2005)
  • 300 (2007)
  • Black Snake Moan (2006)
  • Happy Feet (2006)
  • Zodiac (2007)
  • The Simpsons Movie (2007)
  • No Country for Old Men (2007) (Academy Award nominee for Best Editing – Roderick Jaynes)
  • Reign Over Me (2007)
  • Youth Without Youth (2007)
  • Balls of Fury (2007)
  • Gabriel (2007)
  • Enchanted (2007)
  • Traitor (2008)
  • Burn After Reading (2008)
  • The X-Files: I Want to Believe (2008)
  • The Curious Case of Benjamin Button (2008) (Academy Award nominee for Best Editing - Kirk Baxter and Angus Wall)
  • X-Men Origins: Wolverine (2009)
  • (500) Days of Summer (2009)
  • Where the Wild Things Are (2009)
  • A Serious Man (2009)
  • Tetro (2009)
  • By the People: The Election of Barack Obama (2009)
  • Gamer (2009)
  • Eat, Pray, Love (2010)
  • True Grit (2010)
  • The Social Network (2010) (Academy Award winner for Best Editing - Kirk Baxter and Angus Wall)
  • The Girl with the Dragon Tattoo (2011) (Academy Award winner for Best Editing - Kirk Baxter and Angus Wall)
  • Twixt (2011)
  • Courageous (2011)
  • John Carter (2012)
  • Hemingway & Gellhorn (2012)
  • Indie Game: The Movie (2012)

Read more about this topic:  Final Cut Pro

Famous quotes containing the words major, films, edited, final, cut and/or pro:

    “In the larger view the major forces of the depression now lie outside of the United States, and our recuperation has been retarded by the unwarranted degree of fear and apprehension created by these outside forces.”
    —Herbert Hoover (1874–1964)

    “The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
    —Jean-Luc Godard (b. 1930)

    “The New Yorker will be the magazine which is not edited for the old lady from Dubuque.”
    —Harold W. Ross (1892–1951)

    “The kind of power mothers have is enormous. Take the skyline of Istanbul—enormous breasts, pathetic little willies, a final revenge on Islam. I was so scared I had to crouch in the bottom of the boat when I saw it.”
    —Angela Carter (1940–1992)

    “The narcissus has copied the arch
    of your slight breast:
    your feet are citron-flowers,
    your knees, cut from white-ash,
    your thighs are rock-cistus.”
    —Hilda Doolittle (1886–1961)

    “It is sweet and honourable to die for one’s country.
    [Dulce et decorum est pro patria mori.]”
    —Horace [Quintus Horatius Flaccus] (65–8 B.C.)