Plot
The series was set in Memphis at a fictional mansion called Toad Hall, which was owned by one Big Guy Beck (Slim Pickens; Forrest Tucker), a very wealthy land baron. He had recently died of an undisclosed illness, and before he was cryogenically frozen, he had made out a videotaped will, a piece of which was played every week, by his lawyer, George Wilhoit (David Healy; Vernon Weddle).
The will's terms were harshest on Big Guy's oldest son, the snobbish Marshall Beck (Michael Lombard) and his equally snobbish wife Carlotta (Dixie Carter). Also aghast at the will's terms was Big Guy's wily younger wife, Kathleen (Delta Burke). The terms stated that the family wouldn't be able to collect a dime of their inheritance until they accepted Big Guy's illegitimate son, Wild Bill Westchester (Jerry Hardin) and his good-natured but ditzy wife Bootsie (Ann Wedgeworth) into their family.
Many of the situations stemmed from the conniving Kathleen, Marshall and Carlotta's schemes to declare the terms and constraints of the will invalid and also to rid themselves of Wild Bill and Bootsie, for to their minds, with them; not to mention the rest of the family, out of their lives, the snobs could live it up on the money. Their wildly outlandish schemes usually and inevitably ended up failing.
Also appearing were Nedra Volz, who played Big Guy's senile first wife, Winona Beck, called Mother B., who had escaped from her nursing home; and Charles Frank, who played Big Guy's younger son Stanley.
Stanley, independently wealthy, because he invested his money wisely, and ironically wasn't concerned about his inheritance from his father, was the nicest of the whole lot. Usually, it was Stanley that was able to protect Wild Bill and Bootsie (whom he and Mother B. accepted outright) from the devious scheming of his stepmother, who lusted after him; and his conniving brother and sister in-law.
Read more about this topic: Filthy Rich (1982 TV Series)
Famous quotes containing the word plot:
“The plot thickens, he said, as I entered.”
—Sir Arthur Conan Doyle (18591930)
“Jamess great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofnessthat is, reluctance to engage in any direct grappling with what, in the play or story, had actually taken placeMthat his listeners often did not, in the end, know what had, to put it in another way, gone on.”
—James Thurber (18941961)
“Those blessed structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (19171977)