Composition
In her first single to bear elements of rock music, a seemingly dissatisfied Aguilera seems to bemoan and scream of a man who apparently did her wrong. However, in a surprising twist, she does not want to complain or insult him; in fact, she wants to thank him. In the chorus, she sings: "'Cause it makes me that much stronger/Makes me work a little bit harder ... So thanks for making me a fighter.'" According to the magazine "Teen Ink", though critics see these lyrics as angry and revengeful, she is revealing her true emotions which allows other teenagers to identify with her."
In the song, she's ticked and gives a list of the wrongs done to her: lying, cheating, manipulation, etc. But she's going to be the better person and learn from it. The song actually explains what betrayals happened and that it changed the person. In the opening of the song, she sings: "After all you put me through/ You'd think I despise you,"/ "But in the end I wanna thank you/ 'Cause you make me that much stronger." While later, she admits: "After all the stealing and cheating/You probably think I hold resentment for you…/'Cause if it wasn't for all that you tried to do/I wouldn't know/Just how capable I am to pull through/So I want to say thank you."
Read more about this topic: Fighter (song)
Famous quotes containing the word composition:
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (1874–1946)
“The composition of a tragedy requires testicles.”
—Voltaire [François Marie Arouet] (1694–1778)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)