Figge Art Museum

The Figge Art Museum is an art museum in Davenport, Iowa. The Figge, as it is commonly known, has an encyclopedic collection and serves as the major art museum for the eastern Iowa and western Illinois region. The Figge works closely with several regional universities and colleges (see below) as an art resource and collections hub for a number of higher education programs.

The museum opened on August 6, 2005, and is the renamed successor to the Davenport Museum of Art, which was opened on October 10, 1928, as the Davenport Municipal Art Gallery. The museum has its roots in the Davenport Art Association, which was founded before February 23, 1878, and was re-located on November 15, 1889, to the Bianca Wheeler art studio. The Figge Art Museum is one of the oldest art institutions in the country and is considered the first municipal art gallery in the United States. The Figge won an AIA award.

The new building was designed by Stirling Prize winning Modernist British architect David Chipperfield. It was Chipperfield's first architectural commission in the United States. The Figge Art Museum gets its name from the V.O. and Elizabeth Kahl Figge Foundation, which donated $13 million towards its $47 million construction. The Figge family, a local banking family of Swiss origin, has a long tradition of philanthropy and cultural enrichment.

The first pieces of its collections were donated by Davenport community leader Charles Ficke (1850–1931), a successful lawyer and former mayor, who collected art from around the world. Robert E. Harsche, then Director of the Art Institute of Chicago, reported that to his knowledge no American public art gallery had "started out with so large a number of important paintings as a nucleus."

Read more about Figge Art Museum:  Figge Art Collection, University of Iowa Art Collection, Western Illinois University Graduate Program in Museum Studies, Other Information

Famous quotes containing the words art and/or museum:

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
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