Works
- La Méditerranée et le Monde Méditerranéen a l'époque de Philippe II, 3 vols. (originally appeared in 1949; revised several times)
- vol. 1: La part du milieu ISBN 2-253-06168-9
- vol. 2: Destins collectifs et mouvements d'ensemble ISBN 2-253-06169-7
- vol. 3: Les événements, la politique et les hommes ISBN 2-253-06170-0
- Ecrits sur l'Histoire (1969) ISBN 2-08-081023-5
- Civilisation matérielle, économie et capitalisme, XVe-XVIIIe siècle
- vol. 1: Les structures du quotidien (1967) ISBN 2-253-06455-6
- vol. 2: Les jeux de l'échange (1979) ISBN 2-253-06456-4
- vol. 3: Le temps du monde (1979) ISBN 2-253-06457-2
- Civilization and Capitalism, 15th–18th Centuries, translated by Siân Reynolds, 3 vols. (1979)
- vol. 1: The Structures of Everyday Life ISBN 0-06-014845-2
- vol. 2: The Wheels of Commerce ISBN 0-06-015091-2
- vol. 3: The Perspective of the World ISBN 0-06-015317-2
- On History (1980; english translation of Ecrits sur l'Histoire by Siân Reynolds)
- La Dynamique du Capitalisme (1985) ISBN 2-08-081192-4
- L'Identité de la France (1986)
- The Identity of France (1988–1990)
- vol. 1: History and Environment ISBN 0-06-016021-7
- vol. 2: People and Production ISBN 0-06-016212-0
- Ecrits sur l'Histoire II (1990) ISBN 2-08-081304-8
- Out of Italy, 1450–1650 (1991)
- A History of Civilizations (1995)
- Les mémoires de la Méditerranée (1998)
- The Mediterranean in the Ancient World (UK) and Memories of the Mediterranean (USA; both 2001; english translation of Les mémoires de la Méditerranée by Siân Reynolds)
- Personal Testimony Journal of Modern History, vol. 44, no. 4. (December 1972)
Read more about this topic: Fernand Braudel
Famous quotes containing the word works:
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“Now they express
All that’s content to wear a worn-out coat,
All actions done in patient hopelessness,
All that ignores the silences of death,
Thinking no further than the hand can hold,
All that grows old,
Yet works on uselessly with shortened breath.”
—Philip Larkin (1922–1986)
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (1921–1988)