Feminist History

Feminist history refers to the re-reading of history from a female perspective. It is not the same as the history of feminism, which outlines the origins and evolution of the feminist movement. It also differs from women's history, which focuses on the role of women in historical events. The goal of feminist history is to explore and illuminate the female viewpoint of history through rediscovery of female writers, artists, philosophers, etc., in order to recover and demonstrate the significance of women's voices and choices in the past.

Two particular problems which feminist history attempts to address are the exclusion of women from the historical and philosophical tradition, and the negative characterization of women or the feminine therein; however, feminist history is not solely concerned with issues of gender per se, but rather with the reinterpretation of history in a more holistic and balanced manner.

"If we take feminism to be that cast of mind that insists that the differences and inequalities between the sexes are the result of historical processes and are not blindly "natural," we can understand why feminist history has always had a dual mission—on the one hand to recover the lives, experiences, and mentalities of women from the condescension and obscurity in which they have been so unnaturally placed, and on the other to reexamine and rewrite the entire historical narrative to reveal the construction and workings of gender." —Susan Pedersen

The "disappearing woman" has been a focus of attention of academic feminist scholarship. Research into women's history and literature reveals a rich heritage of neglected culture.

Famous quotes containing the words feminist and/or history:

    Men have defined the parameters of every subject. All feminist arguments, however radical in intent or consequence, are with or against assertions or premises implicit in the male system, which is made credible or authentic by the power of men to name.
    Andrea Dworkin (b. 1946)

    The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.
    Walter Bagehot (1826–1877)