Style
Fellini’s Casanova is noted for its symbolic, highly stylised mise en scène and the casting of Donald Sutherland in the lead role.
By using a range of visual effects, Fellini attempted to depict Casanova as a debauched figure incapable of displaying any genuine emotion. This Felliniesque style is most noticeable in Sutherland’s acting and appearance, which was made overtly graphic at the director's request. Other unusual techniques include a scene where Sutherland rows across a stormy sea made from black plastic sheets.
Fellini’s dislike of the character was well documented, and in one interview he even referred to exposing "the void" of Casanova's life. Consequently, Fellini’s interpretation goes against the traditional notion of Casanova as an enlightened gadabout. The original script was very brutal on the historical figure. It wasn't until Fellini shot the scene of Casanova and the nun that he began to sympathize with Casanova's inability to love, giving him the character of the mechanical doll and the dream ending.
Read more about this topic: Fellini's Casanova
Famous quotes containing the word style:
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“The old saying of Buffon’s that style is the man himself is as near the truth as we can get—but then most men mistake grammar for style, as they mistake correct spelling for words or schooling for education.”
—Samuel Butler (1835–1902)
“Oh, never mind the fashion. When one has a style of one’s own, it is always twenty times better.”
—Margaret Oliphant (1828–1897)