Synopsis
Jennifer Lopez: Feelin' So Good opens with a intertitle that features a behind-the-scenes look at Lopez during the artwork shoot for On the 6, artist's proof of said photoshoot and brief clips of the music videos to the album's five singles. In the second chapter, "Why Risk a Music Career?", Lopez is interviewed by her sister Lynda Lopez, who oversees each interview segment, about the risks of starting a music career after having an already thriving movie career. Critics believed that she was only launching a music career with an intent to expand her brand, while Lopez felt as if it was simply the "next natural step" in her career. Lopez's manager Benny Medina further discusses this, labeling her as the "ultimate" triple threat – "the actor, singer and dancer". Lopez then confers, in the chapter "Press Tours / Promotions", about the extensive promotional schedule she was on to promote the album. She examines the differences in promoting an album and a film, stating that promoting an album is more "personal" as it is something that is "closer to your heart" and something she "really believes in". According to Lopez, by the end of the promotional tour for the album she "lost" her voice from the amount of interviews she had. Following this, Lopez's performance of the Darkchild remix of "If You Had My Love" at the 1999 VH1 Fashion Awards is shown.
In the fifth chapter, "Beginning of the Year", Lopez discusses her hectic schedule at the beginning of 1999; balancing film events and choosing the album's first single and shooting its music video. Lopez then goes into detail about the concept behind the music video for "If You Had My Love". Lopez's sister Lynda makes a formal introduction to the music video, as having a "special place" in her heart, and it is shown. Lopez then explains how her duet with Marc Anthony on "No Me Ames" came about and the concept of the video. Video footage is shown, as Lopez discusses her first ever live performance, with "No Me Ames", in April 1999 at Madison Square Garden alongside Anthony. Following this, the official music video to "No Me Ames" is shown. In the eleventh chapter of Jennifer Lopez: Feelin' So Good, appropriately entitled "First Number One Single", Lopez reveals the moment she found out that "If You Had My Love" went number one in the United States. She went on to discuss the events that occoured during the release week of On the 6 in "Record Release Week". Lopez then reveals how she came to record "Let's Get Loud" and her performance of the song at the 1999 FIFA Women's World Cup is shown.
In "Jennifer's Energy", Medina discusses Lopez's ability to work at late hours of the night. Her 1999 Billboard Music Awards performance of the Hex Hector remix of "Waiting for Tonight" is then shown. Lopez then speaks of filming the music video for "Waiting for Tonight" and behind the scenes footage on set of the video is shown. She also explains how the Hex Hector remix of the song came about and the alternative music video that was created for it. A megamix video of the original and Hex Hector remix follows. The twentieth chapter, "Jennifer's Mom", is an interview with Lopez's mother, discussing what was like to see Lopez on television for the first time. Lopez then discusses her surprise to the amount of fans she had and their dedication in "Fan Support". In "Working on Record", the twenty-second chapter of Jennifer Lopez: Feelin' So Good, Lopez discusses the process of writing and recording the album. Lopez's sister Lynda interviews her choreographer Tina Landon on what it is like to work with her, before her 1999 Blockbuster Awards performance of "If You Had My Love" is shown. Footage is then shown of Lopez "goofing around" during a photoshoot, before the music video to her song "Baila" is debuted. In "Film Energy vs. Music Energy" Lopez compares the difference between the fans of her movies and of her music. In the final interview footage of Jennifer Lopez: Feelin' So Good, Lopez explains the concept behind the music video of "Feelin' So Good" and why Big Pun and Fat Joe were chosen to be featured on the song. The music video is then shown and is faded out into the end credits.
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