Composition
"Fearless" is a country pop song with a length of four minutes and one second. Alexis Petridis of The Guardian described the song's genre as a "kind of orthodontically perfect pop rock". He said the most country part of the song was a lyric that referenced a "one horse town". The song is set in common time and has a moderate tempo of 100 beats per minute. It is written in the key of F major and Swift's vocals span two octaves, from F3 to C5. It follows the chord progression F–C–Gm–B♭-C. Tom Ronald of Great American Country interpreted the song's message to be about "taking courage on the dating circuit." In a different perspective, Rob Sheffield of Blender magazine said the lyrics "And I don't know why but with you / I'd dance in a storm in my best dress, fearless" demonstrated how Swift enjoyed making a scene. He added that she would not wear "anything else to go ride around in a storm".
Read more about this topic: Fearless (Taylor Swift Song)
Famous quotes containing the word composition:
“At painful times, when composition is impossible and reading is not enough, grammars and dictionaries are excellent for distraction.”
—Elizabeth Barrett Browning (1806–1861)
“The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.”
—Mary Kay Blakely (20th century)
“Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.”
—Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)