Fausto Bertinotti - Works

Works

Bertinotti has written a number of political, ideological and trade-union related works:

  • La Camera dei lavori. Ediesse, Roma, 1987
  • La democrazia autoritaria. Datanews, Roma, 1991
  • Tutti i colori del rosso (edited by Lorenzo Scheggi Merlini). Sperling & Kupfer, Milano, 1995
  • Il nostro nuovo Comunismo (ripartendo da Marx) (edited by Carlo and Norberto Valentini). Carmenta, Milano, 1996
  • Le due sinistre (with Alfonso Gianni). Sperling & Kupfer, Milano, 1997
  • Pensare il '68 per capire il presente. Con una riflessione sul movimento no global (with Alfonso Gianni). Ponte alle Grazie, Milano, 1998
  • Le idee che non muoiono (with Alfonso Gianni). Ponte alle Grazie, Milano, 2000
  • Per una pace infinita (with Alfonso Gianni). Ponte alle Grazie, Milano, 2002
  • Nonviolenza it:Nonviolenza. Le ragioni del pacifismo, (with Lidia Menapace e Marco Revelli). Fazi, Milano, 2004
  • Il ragazzo con la maglietta a strisce (with Wilma Labate). Aliberti, Milano, 2005

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Famous quotes containing the word works:

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)

    The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.
    —For the State of New Jersey, U.S. public relief program (1935-1943)

    That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.
    Lydia M. Child (1802–1880)