Works
Bertinotti has written a number of political, ideological and trade-union related works:
- La Camera dei lavori. Ediesse, Roma, 1987
- La democrazia autoritaria. Datanews, Roma, 1991
- Tutti i colori del rosso (edited by Lorenzo Scheggi Merlini). Sperling & Kupfer, Milano, 1995
- Il nostro nuovo Comunismo (ripartendo da Marx) (edited by Carlo and Norberto Valentini). Carmenta, Milano, 1996
- Le due sinistre (with Alfonso Gianni). Sperling & Kupfer, Milano, 1997
- Pensare il '68 per capire il presente. Con una riflessione sul movimento no global (with Alfonso Gianni). Ponte alle Grazie, Milano, 1998
- Le idee che non muoiono (with Alfonso Gianni). Ponte alle Grazie, Milano, 2000
- Per una pace infinita (with Alfonso Gianni). Ponte alle Grazie, Milano, 2002
- Nonviolenza it:Nonviolenza. Le ragioni del pacifismo, (with Lidia Menapace e Marco Revelli). Fazi, Milano, 2004
- Il ragazzo con la maglietta a strisce (with Wilma Labate). Aliberti, Milano, 2005
Read more about this topic: Fausto Bertinotti
Famous quotes containing the word works:
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
—Ralph Waldo Emerson (1803–1882)
“My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
—George Bernard Shaw (1856–1950)
“The hippopotamus’s day
Is passed in sleep; at night he hunts;
God works in a mysterious way—
The Church can sleep and feed at once.”
—T.S. (Thomas Stearns)