Names
Varro explained the role of Faunus and Fauna as prophetic deities:
Fauni are gods of the Latins, so that there is both a male Faunus and a female Fauna; there is a tradition that they used to speak of (fari) future events in wooded places using the verses they call 'Saturnians', and thus they were called 'Fauni' from 'speaking' (fando).
Servius identifies Faunus with Fatuclus, and says his wife is Fatua or Fauna, deriving the names as Varro did from fari, "to speak," "because they can foretell the future." The early Christian author Lactantius called her Fenta Fauna and said that she was both the sister and wife of Faunus; according to Lactantius, Fatua sang the fata, "fates," to women as Faunus did to men. Justin said that Fatua, the wife of Faunus, "being filled with divine spirit assiduously predicted future events as if in a madness (furor)," and thus the verb for divinely inspired speech is fatuari.
While several etymologists in antiquity derived the names Fauna and Faunus from fari, "to speak," Macrobius said Fauna's name derived from faveo, favere, "to favor, nurture," "because she nurtures all that is useful to living creatures." Dumézil regarded her as "the Favorable." According to Macrobius, the Books of the Pontiffs (pontificum libri) treated Bona Dea, Fauna, Ops, and Fatua as names for the same goddess, Maia.
In his conceptual approach to Roman deity, Michael Lipka sees Faunus and Fauna as an example of a characteristically Roman tendency to form gender-complementary pairs within a sphere of functionality. The male-female figures never have equal prominence, and one partner (not always the female) seems to have been modeled on the other. An Oscan dedication naming Fatuveís (= Fatui, genitive singular), found at Aeclanum in Irpinia, indicates that the concept is Italic. Fauna has also been dismissed as merely "an artificial construction of scholarly casuistics."
Read more about this topic: Fauna (goddess)
Famous quotes containing the word names:
“Every man who has lived for fifty years has buried a whole world or even two; he has grown used to its disappearance and accustomed to the new scenery of another act: but suddenly the names and faces of a time long dead appear more and more often on his way, calling up series of shades and pictures kept somewhere, “just in case” in the endless catacombs of the memory, making him smile or sigh, and sometimes almost weep.”
—Alexander Herzen (1812–1870)
“When the Day of Judgement dawns and the great conquerors and lawyers and statesmen come to receive their rewards—their crowns, their laurels, their names carved indelibly upon imperishable marble—the Almighty will turn to Peter and will say, not without a certain envy when he sees us coming with our books under our arms, “Look, these need no reward. We have nothing to give them here. They have loved reading.””
—Virginia Woolf (1882–1941)
“I come to this land to ride my horse,
to try my own guitar, to copy out
their two separate names like sunflowers, to conjure
up my daily bread, to endure,
somehow to endure.”
—Anne Sexton (1928–1974)