Fatimid Art

Fatimid art refers to Islamic artifacts and architecture from the Fatimid Caliphate (909-1171), principally in Egypt and North Africa. The fatimid Caliphate was initially established in the Mahgreb, with its roots in a ninth century Shi'ite Ismailist religious movement originating in Iraq and Iran. Many monuments survive in the Fatimid cities founded in North Africa, starting with Mahdia, on the Tunisian coast, the principal city prior to the conquest of Egypt in 969 and the building of al-Qahira, the "City Victorious", now part of modern day Cairo. The period was marked by a prosperity amongst the upper echelons, manifested in the creation of opulent and finely wrought objects in the decorative arts, including carved rock crystal, lustreware and other ceramics, wood and ivory carving, gold jewelry and other metalware, textiles, books and coinage. These items not only reflected personal wealth, but were used as gifts to curry favour abroad. The most precious and valuable objects were amassed in the caliphal palaces in al-Qahira. In the 1060s, following several years of drought during which the armies received no payment, the palaces were systematically looted, the libraries largely destroyed, precious gold objects melted down, with a few of the treasures dispersed across the medieval Christian world. Afterwards Fatimid artifacts continued to be made in the same style, but were adapted to a larger populace using less precious materials.

In 1067-68 the great treasury of the Fatimids was ransacked when the troops rebelled and demanded to be paid. The stories of this plundering mention not only great quantities of pearls and jewels, crowns, swords, and other imperial accoutrements but also many objects in rare materials and of enormous size. Eighteen thousand pieces of rock crystal and cut glass were swiftly looted from the palace, and twice as many jewelled objects; also large numbers of gold and silver knives all richly set with jewels; valuable chess and backgammon pieces; various types of hand mirrors, skilfully decorated; six thousand perfume bottles in gilded silver; and so on. More specifically, we learn of enormous pieces of rock crystal inscribed with caliphal names; of gold animals encrusted with jewels and enamels; of a large golden palm tree; and even of a whole garden partially gilded and decorated with niello. There was also an immensely rich treasury of furniture, carpets, curtains, and wall coverings, many embroidered in gold, often with designs incorporating birds and quadrupeds, kings and their notables, and even a whole range of geographical vistas.Relatively few of these objects have survived, most of them very small; but the finest are impressive enough to lend substance to the vivid picture painted in the historical accounts of this vanished world of luxury.

—Ettinghausen, Grabar & Jenkins (2001)

Read more about Fatimid Art:  Rock Crystal Ewers, Fatimid Architecture, Gallery

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