Story Background and History
Throughout the series, references are made to Kunihiko Asou, a fictitious Japanese "Occultist" that lived during the late nineteenth century. Using western technology, he developed inventions that would allow him and others to make contact with spirits in the "other world."
His inventions include the Camera Obscura, the primary weapon used to defend against ghosts throughout the series, the spirit stone radio, introduced in Fatal Frame II as a means to listen to the thoughts and memories of spirits that had been stored in special crystals, a projector capable of displaying ghostly images captured on film that motion picture cameras could not see, and the spirit stone flashlight, a weapon used in Zero: Tsukihami no Kamen.
According to Fatal Frame III, Asou's various inventions were eventually scattered about Japan and are now heavily sought after by collectors. The Camera Obscura used by Miku in the first game had once belonged to her mother, and Mio finds a different Camera Obscura while exploring the lost village, while the camera used in Fatal Frame III was discovered in the ruins of the Kuze Shrine by Kei Amakura.
In Zero: Tsukihami no Kamen, the Camera Obscura used by Madoka Tsukimori and Ruka Minazuki is an exhibit in the "Aso Museum" of Rougetsu Hall. This camera was left behind by Dr. Asou when he visited the island. However, Misaki Aso brought a different Camera Obscura belonging to her family as she is a descendant of Kunihiko Asou.
Read more about this topic: Fatal Frame
Famous quotes containing the words story, background and/or history:
“If Mr. Vincent Price were to be co-starred with Miss Bette Davis in a story by Mr. Edgar Allan Poe directed by Mr. Roger Corman, it could not fully express the pent-up violence and depravity of a single day in the life of the average family.”
—Quentin Crisp (b. 1908)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (18171862)
“If you look at history youll find that no state has been so plagued by its rulers as when power has fallen into the hands of some dabbler in philosophy or literary addict.”
—Desiderius Erasmus (c. 14661536)