History
The Fat Tulips were formed in the late 1980s in Peterborough by Mark D. Their first release was a flexi disc called You Opened Up My Eyes and featured Sarah C. on vocals. Sarah quickly left the band, supposedly to pursue a career designing crop circles in Peru.
Mark then recruited new members consisting of Katie Keen on vocals, cat lover Paul Huckerby on bass, Shelagh Clarkson on guitar and floppy haired, pig van driver Matthew Johnson on drums.
Soon after the release of their single Where's Clare Grogan Now (played by John Peel), Katie left the band and Sheggi became the new singer.
Subsequent releases, including the EP Four Songs for Simon, Ferensway and The Tulip Explodes, led to a multi-pound recording contract with the fab, London based Vinyl Japan label, home and future home of BMX Bandits, the McCluskey Bros, and Thee Headcoats.
The first of their Vinyl Japan output was an EP entitled Nostalgia and was recorded by Ken McPherson at his studio in Burton upon Trent. A tour of Germany supporting Throw That Beat in the Garbagecan soon followed.
The band's debut album, Starfish, also recorded by Ken McPherson, came out in 1994 and was followed by two more singles, New Spring Rites for Sarah and Driving Me Wild before the band called it a day.
Read more about this topic: Fat Tulips
Famous quotes containing the word history:
“In the history of the United States, there is no continuity at all. You can cut through it anywhere and nothing on this side of the cut has anything to do with anything on the other side.”
—Henry Brooks Adams (18381918)
“The history of work has been, in part, the history of the workers body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.”
—Shoshana Zuboff (b. 1951)
“I believe that in the history of art and of thought there has always been at every living moment of culture a will to renewal. This is not the prerogative of the last decade only. All history is nothing but a succession of crisesMof rupture, repudiation and resistance.... When there is no crisis, there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)