Magic
In a fantasy, magic is often overwhelming in presence — although its precise nature is delineated in the book in which it appears. It can appear in a fantasy world, or in a fantasy land that is part of reality but insulated from the mundane lands, or as a hidden element in real life.
A common trope is that the ability to work magic is innate and rare. As a consequence the person who uses it, usually called a magician, wizard, sorcerer, warlock, mage, magus, or various other titles, is a common figure in fantasy. Another feature is the magic item, which can endow characters with magical abilities that are not innate, or enhance the abilities of the innately powerful. Among the most common are magic swords and magic rings.
Self-fulfilling prophecies are amongst the most common forms of magic because they are an often used plot device. Often the very effort undertaken to avert them brings them about, thus driving the story. It is very rare for a prophecy in a fantasy to be simply false, although usually their significance is clear only with hindsight. Quibbles can undermine the clearest appearing prophecies.
In The Lord of the Rings trilogy, J. R. R. Tolkien minimized use of the word magic; beings who use such abilities tend to be confused when they are described this way by others. In the Star Wars franchise, the Jedi employ the use of the Force, an essentially magical power that grants mystical abilities and heightened senses and skills to whomsoever wields it.
Read more about this topic: Fantasy Tropes And Conventions
Famous quotes containing the word magic:
“We think of religion as the symbolic expression of our highest moral ideals; we think of magic as a crude aggregate of superstitions. Religious belief seems to become mere superstitious credulity if we admit any relationship with magic. On the other hand our anthropological and ethnographical material makes it extremely difficult to separate the two fields.”
—Ernst Cassirer (18741945)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)
“Both magic and religion are based strictly on mythological tradition, and they also both exist in the atmosphere of the miraculous, in a constant revelation of their wonder-working power. They both are surrounded by taboos and observances which mark off their acts from those of the profane world.”
—Bronislaw Malinowski (18841942)