Fantastic Wounds is the second studio album by Seattle horror punk band Schoolyard Heroes. Like the band's first album The Funeral Sciences, it was released through the record label The Control Group. Following the band's first release, they had generated success with the underground Seattle rock scene and had secured a small cult following, largely due to the reputation they had built from their concert tour with Vendetta Red.
All four members of the band recorded the album while living at the same University District together. The production of the album was handled by Joe Reineke and T. Dallas Reed, with the majority of the lyrics composed by the band's singer and frontman Ryann Donnelly. Donnelly serves as the main singer on the album, with bassist Jonah Bergman performing backing vocals. Taking influence from horror films, lyrically the album features macabre subject matter and social commentary. The band expressed the desire to become more diverse with their musical approach than on their debut album, citing a larger list of influences. The album presents some of its themes in a theatrical, over-the-top and often campy style.
It was promoted by the single "They Live", which received a music video. The album received positive reviews from music critics, who praised Donnelly's singing, the progression that the band had showcased from their prior work, and the humorous way that the morbid themes were expressed on the project. While a critical success, the album failed to achieve any chart positions. The success of the album lead to the release of their final album Abominations released in 2007.
Read more about Fantastic Wounds: Background, Writing and Recording, Content, Reception, Track Listing, Personnel
Famous quotes containing the words fantastic and/or wounds:
“This fantastic state of mind, of a humanity that has outrun its ideas, is matched by a political scene in the grotesque style, with Salvation Army methods, hallelujahs and bell-ringing and dervishlike repetition of monotonous catchwords, until everybody foams at the mouth. Fanaticism turns into a means of salvation, enthusiasm into epileptic ecstacy, politics becomes an opiate for the masses, a proletarian eschatology; and reason veils her face.”
—Thomas Mann (1875–1955)
“And we, with all our wounds and all our powers,
Must each await alone at his own height
Another darkness or another light;”
—Edwin Arlington Robinson (1869–1935)