Literary Criticism
Fern was extremely successful in her lifetime as a columnist. She was said to fit her material and subject matter to the audience. Many readers of weekly literary papers were women, and Fern addressed them in a conversational style, often using interjections and exclamation points, while tackling topics that concerned the daily life of ordinary women. Her readers were wives and mothers who worried about their children, current fashions, difficult husbands, and aggravating relatives. Sometimes they felt oppressed, depressed, or stressed. Fern expressed their problems in plain language, addressing women's suffrage, the woman's right to her children in a divorce, unfaithful husbands, social customs that restricted women's freedom, and sometimes just having a bad day.
Critics of "women's literature" considered some of these strengths to be weaknesses. They attacked her conversational style as unprofessional, feminine, and too spontaneous. Many male critics labeled her as "sentimental." This has led to counter-criticism about what exactly "sentimental" writing is, and why it is considered bad. The criticism showed women's lower status in society almost as well as Fern did in her work—who decides the standards by which literature is judged, and who does the judging? Nathaniel Hawthorne praised her as an exception to the "damned mob of scribbling women", who wrote "as if the devil was in her". Fern was straightforward when she wrote of subjects such as men's economic and social victimization of women.
Read more about this topic: Fanny Fern
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