Box Office and Reception
The film had a lukewarm box office response, grossing $40.9 million domestically. The film earned $18.1 million in theatrical rentals, falling short of its $25 million budget. Although, it was the number one weekend movie during its first two weeks of release (2/26-28, 3/5-7/93).
Reviews for the film were mixed to positive. Falling Down holds a 73% "Certified Fresh" rating on Rotten Tomatoes and a score of 56 out of 100 ("mixed or average reviews") on Metacritic. Vincent Canby of The New York Times called it "the most interesting, all-out commercial American film of the year to date, and one that will function much like a Rorschach test to expose the secrets of those who watch it." Philip Thomas of Empire magazine wrote on his review of the film, "While the morality of D-Fens' methods are questionable, there's a resonance about his reaction to everyday annoyances, and Michael Douglas' hypnotic performance makes it memorable." Roger Ebert, who gave the film a positive review at the time of its release, stated of William "D-Fens" Foster:
What is fascinating about the Douglas character, as written and played, is the core of sadness in his soul. Yes, by the time we meet him, he has gone over the edge. But there is no exhilaration in his rampage, no release. He seems weary and confused, and in his actions he unconsciously follows scripts that he may have learned from the movies, or on the news, where other frustrated misfits vent their rage on innocent bystanders.At the time of its release Douglas' father, actor Kirk Douglas, declared "He played it brilliantly. I think it is his best piece of work to date." He also defended the film against critics who claimed that it glorifies lawbreaking: "Michael's character is not the 'hero' or 'newest urban icon'. He is the villain and the victim. Of course, we see many elements of our society that contributed to his madness. We even pity him. But the movie never condones his actions."
Read more about this topic: Falling Down
Famous quotes containing the words box, office and/or reception:
“I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look at the sunset over the box house hills and cry.”
—Allen Ginsberg (b. 1926)
“The dissident does not operate in the realm of genuine power at all. He is not seeking power. He has no desire for office and does not gather votes. He does not attempt to charm the public, he offers nothing and promises nothing. He can offer, if anything, only his own skin—and he offers it solely because he has no other way of affirming the truth he stands for. His actions simply articulate his dignity as a citizen, regardless of the cost.”
—Václav Havel (b. 1936)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)