Law 42 of the laws of the sport of cricket covers fair and unfair play. This law has developed and expanded over time as various incidents of real life unfair play have been legislated against.
The first section of law 42 makes clear that the captains of the two teams have the responsibility for ensuring that play is conducted according to the spirit and traditions of the game, as well as within its Laws. This leads to a statement that the umpires are the sole judges of fair and unfair play. It contains an override of the laws of cricket: if either umpire considers an action that is not covered by the laws to be unfair, he can intervene and call the ball dead.
Read more about Fair And Unfair Play: Ball Tampering, Distracting The Opposition, Unfair Bowling, Time Wasting
Famous quotes containing the words unfair play, fair and, fair, unfair and/or play:
“I was so sick and faint, so overcome at the brutality of this fiendish sport, that I hardly heard the shouts of “Bravo! bravo!” and the fanfaronade of trumpets.... I do not know which astonished me the most, the strikingly curious, brilliant coup d’oeil, the dexterity of the men, the intrepidity of the animals, the miserable unfair play, or the pleasure of the spectators.”
—M. E. W. Sherwood (1826–1903)
“Where the Moosatockmaguntic
Pours its waters in the Skuntic,
Met, along the forest side
Hiram Hover, Huldah Hyde.
She, a maiden fair and dapper,
He, a red-haired, stalwart trapper,
Hunting beaver, mink, and skunk
In the woodlands of Squeedunk.”
—Bayard Taylor (1825–1878)
“There was never yet fair woman but she made mouths in a glass.”
—William Shakespeare (1564–1616)
“I can stand brute force, but brute reason is quite unbearable. There is something unfair about its use. It is hitting below the intellect.”
—Oscar Wilde (1854–1900)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)