Plot
Following from the previous film, it shows Eastland walking freely on the streets of New York, without any hint that his dual identity was compromised. He meets up with another old army buddy, Be Gee (Faison), who owns a garbage truck. As seen at the beginning of the film, Eastland wears a welders' mask and wields a flame thrower, while listening to a police scanner for possible crimes to stop. Slaying the brother of a gang leader named X (Van Peebles), the Exterminator gains the gang's enmity. Coincidentally, his army buddy happens to see the gang during a robbery of an armoured car, and scares them away with his truck. However, they get the truck's plate numbers, and vow revenge. Following the truck one night when the buddy loans it to Eastland, they follow Eastland to his home, and, not having seen who the driver of the truck was the night it scared them away, they presume Eastland was the man behind the wheel that night. They attack Eastland's girlfriend in the park, crippling her. Later, they break into her apartment and kill her.
Then Eastland and his buddy interrupt a drug deal between X's gang and the mob, stealing the narcotics in the process, though the army buddy dies. Having earlier captured one of the gang members, Eastland allows him to escape to draw X into a confrontation, with the drugs as bait, in a closed up industrial site. Curiously, X seems to be aware of the Exterminator's real name in this final battle. Eastland triumphs, but was shot when last seen, and is seen walking away.
Read more about this topic: Exterminator 2
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)