Part Five: Television As A Creative Medium
Youngblood describes the videosphere, in which computers and televisions are extensions to man's central nervous system. He is optimistic about technological advances and predicts TV-on-demand by 1978 (pp260–264). He does acknowledge, however, that data retrieval is more complicated than data recording. The various processes involved in video synthesicing are described: de-beaming, keying, chroma-keying, feedback, mixing, switching and editing (p265-280). The work of Loren Sears is neuroeasthetic because it treats television as an extension of the central nervous system (pp291–295). The curator James Newman moved from a traditional gallery to a conceptual gallery with his joint project with KQED-TV, commissioning television work from Terry Riley, Yvonne Rainer, Frank Zappa, Andy Warhol, The Living Theater, Robert Frank and Walter De Maria (pp292–293). Nam June Paik has worked creatively with television (pp302–308). Les Levine exploits the potential of closed-circuit television (pp337–344).
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Famous quotes containing the words television and/or creative:
“Addison DeWitt: Your next move, it seems to me, should be toward television.
Miss Caswell: Tell me this. Do they have auditions for television?
Addison DeWitt: That’s all television is, my dear. Nothing but auditions.”
—Joseph L. Mankiewicz (1909–1993)
“Humanity has passed through a long history of one-sidedness and of a social condition that has always contained the potential of destruction, despite its creative achievements in technology. The great project of our time must be to open the other eye: to see all-sidedly and wholly, to heal and transcend the cleavage between humanity and nature that came with early wisdom.”
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