Part Five: Television As A Creative Medium
Youngblood describes the videosphere, in which computers and televisions are extensions to man's central nervous system. He is optimistic about technological advances and predicts TV-on-demand by 1978 (pp260–264). He does acknowledge, however, that data retrieval is more complicated than data recording. The various processes involved in video synthesicing are described: de-beaming, keying, chroma-keying, feedback, mixing, switching and editing (p265-280). The work of Loren Sears is neuroeasthetic because it treats television as an extension of the central nervous system (pp291–295). The curator James Newman moved from a traditional gallery to a conceptual gallery with his joint project with KQED-TV, commissioning television work from Terry Riley, Yvonne Rainer, Frank Zappa, Andy Warhol, The Living Theater, Robert Frank and Walter De Maria (pp292–293). Nam June Paik has worked creatively with television (pp302–308). Les Levine exploits the potential of closed-circuit television (pp337–344).
Read more about this topic: Expanded Cinema
Famous quotes containing the words television and/or creative:
“The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.”
—Frederic Raphael (b. 1931)
“Lying increases the creative faculties, expands the ego, lessens the friction of social contacts.... It is only in lies, wholeheartedly and bravely told, that human nature attains through words and speech the forebearance, the nobility, the romance, the idealism, that—being what it is—it falls so short of in fact and in deed.”
—Clare Boothe Luce (1903–1987)