Selected Plot Elements
While the original Star Wars trilogy only had the Force, magic and mysticism were quite prevalent in the Ewok films. Witches, wizards, giants and fairies filled the forests of Endor - Logray uses a magical spinning lantern to divine the location of the missing Towani parents; an enchanted lake momentarily traps Mace behind an unbreakable barrier; the Ewok priestess Kaink carries a magical staff capable of mesmerizing animals. In Ewoks: Battle for Endor, the evil witch Charal dons a magical ring that allows her to change shape into a raven.
The Ewok films introduced a variety of lifeforms to Endor. The giant Gorax had packs of deadly boar-wolves that prowled the forest floor. Hunting the skies of the moon is the leathery condor dragon. The Maurauders ride atop dim-witted blurrgs, dinosaur-like beasts of burden. The scout Noa has a little rodent-like companion named Teek who could run at blindingly fast speeds. The films also had more earthen animals - ferrets, llamas and horses. The film also features dialogue referring to the unspecified planet Mace and Cindel are originally from.
Read more about this topic: Ewoks: The Battle For Endor
Famous quotes containing the words selected, plot and/or elements:
“She was so overcome by the splendor of his achievement that she took him into the closet and selected a choice apple and delivered it to him, along with an improving lecture upon the added value and flavor a treat took to itself when it came without sin through virtuous effort. And while she closed with a Scriptural flourish, he “hooked” a doughnut.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)