Production
The three-eyed smiley face used as the logo of the film in marketing was borrowed from the comic book Transmetropolitan. Producers had to get permission from DC Comics to use it and were licensed by Smileyworld Ltd., owner of the smiley face trademark, to use it for advertising and commercial purposes.
During the lengthy shooting in Page, Arizona, Dan Aykroyd entertained locals by checking ID cards for guests at a bar, greeting people at Wal-Mart, and visiting locals for a cup of coffee in their homes. Because the film was shot (but not set) in December, DreamWorks asked the locals to delay putting up their Christmas decorations. Following the shoot, DreamWorks paid the city employees overtime to decorate the town in time for Christmas.
All of the on-campus, classroom, lab and professor's office scenes were filmed at California State University, Fullerton, in Fullerton, California. The building used for the movie was Miles D. McCarthy Hall, which is currently home to the College of Natural Science and Mathematics.
The clumsiness of Julianne Moore's character was her idea. The three main male characters perform a commercial for Head & Shoulders at the end of the movie; Ivan Reitman's son Jason came up with the idea. As part of the commercial they each hold out a bottle of Head & Shoulders. Harry Block (Orlando Jones) holds his out backwards.
Read more about this topic: Evolution (film)
Famous quotes containing the word production:
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)