"Everybody Wants to Rule the World" is a song by the English New Wave band Tears for Fears.
It was the band's ninth single release in the United Kingdom (the third from their second LP: Songs from the Big Chair) and seventh UK Top 40 chart hit, peaking at number two in April 1985. In the U.S., it was the lead single from the album and gave the band their first Billboard Hot 100 number-one hit on 8 June 1985, remaining there for two weeks. It also reached number-one on both the Hot Dance Music/Club Play and Hot Dance Singles Sales charts in the U.S. The song has since become the pinnacle of Tears for Fears' chart success, its endurance allowing it to accumulate over two million radio broadcasts by 1994, according to BMI.
In 1986, the song won "Best Single" at the Brit Awards. Band member and co-writer Roland Orzabal argued that the song deserved to win the Ivor Novello International Hit of the Year award, claiming that the winner - "19" by Paul Hardcastle - was not an actual song, but only a "dialogue collage."
Read more about Everybody Wants To Rule The World: Background, Meanings, Song Versions, B-side, Music Video, Track Listings, Cover Versions, Live Cover Performances, Sampling, In Other Media, Charts
Famous quotes containing the words the world, rule and/or world:
“Softly sweet in Lydian measures
Soon he soothed his soul to pleasures.
‘War’, he sung, ‘is toil and trouble;
Honour but an empty bubble.
Never ending, still beginning,
Fighting still, and still destroying;
If the world be worth thy winning,
Think, O think it worth enjoying.
Lovely Thais sits beside thee,
Take the good the Gods provide thee.’”
—John Dryden (1631–1700)
“The world is filled with the proverbs and acts and winkings of a base prudence, which is a devotion to matter, as if we possessed no other faculties than the palate, the nose, the touch, the eye and ear; a prudence which adores the Rule of Three, which never subscribes, which never gives, which seldom lends, and asks but one question of any project,—Will it bake bread?”
—Ralph Waldo Emerson (1803–1882)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)