Evelyn Nesbit - Later Years

Later Years

Throughout the prolonged court proceedings, Nesbit had received financial support from the Thaws. These payments, made to her through the Thaw attorneys, had been inconsistent and far from generous. After the close of the second trial, the Thaws virtually abandoned her, cutting off all funds. Nesbit’s grandson, Russell Thaw, recounted a piece of family lore in a 2005 interview with The Los Angeles Times. Purportedly, Nesbit received the amount of twenty-five thousand dollars from the Thaw family after the culmination of the trials. To spite the Thaws, Nesbit then donated the money to political anarchist Emma Goldman who subsequently turned it over to investigative journalist and political activist, John Reed.

Nesbit was left to her own resources to provide for herself. She found modest success working in vaudeville, and on the silent screen. In 1914, she appeared in Threads of Destiny produced at the Betzwood studios of film producer Siegmund Lubin.

Nesbit divorced Thaw in 1915. In 1916 she married dancer Jack Clifford; the two had worked up a stage act together. Their marriage was not a success. Nesbit seemed unable to start a new life as the public refused to let her relinquish her past. Audiences came to see “the lethal beauty” associated with the “playboy killer,” and the murder of Stanford White. Clifford came to feel his wife’s notoriety an insurmountable issue, his own identity being subsumed into that of “Mr. Evelyn Nesbit.” He left her in 1918, and she divorced him in 1933.

In the 1920s, Nesbit became the proprietor of either a tearoom or speakeasy located in the West Fifties in Manhattan. The actual libation served remains obscured in history. She may have run more than one establishment during this decade. It was during this period and well into the 1930s that Nesbit struggled with alcoholism and morphine addiction. During the 1930s she worked on burlesque stages throughout the country, though not as a stripper. In 1939, the then fifty-three year old Nesbit told a New York Times reporter: “I wish I were a strip-teaser. I wouldn’t have to bother with so many clothes.”

Harry Kendall Thaw, who as late as 1926 was still keeping his ex-wife under surveillance by private detectives, went to Chicago where Nesbit was hospitalized. He learned his ex-wife, despondent after losing her job dancing at the Moulin Rouge Café, had swallowed a disinfectant in a suicide attempt. The reunion generated speculation on the status of their relationship. One newspaper reported on January 8, 1926: “Thaw to Visit Chicago: Reconciliation Rumor.” In an interview with the press, Thaw revealed he had for some time been giving Nesbit ten dollars a day through an attorney as a “token of pleasant memories of the past when we were happy.” They were photographed together in June 1926 and Nesbit gave an interview to The New York Times, stating that she and Thaw had reconciled, but nothing came of the renewed relationship. Harry Kendall Thaw died in 1947; in his will he left Nesbit a ten thousand dollar bequest from an estate valued at over one million dollars.

Evelyn Nesbit published two memoirs, The Story Of My Life (1914), and Prodigal Days (1934).

During the years of World War II, Nesbit lived in Los Angeles, teaching ceramics and sculpting at the Grant Beach School of Arts and Crafts.

She was a technical adviser on the 1955 movie The Girl in the Red Velvet Swing for which she was paid ten thousand dollars. The movie ultimately proved to be a highly fictionalized account of events in Nesbit's life.

She lived quietly for several years in Northfield, New Jersey.