Evelyn Emerson - Character

Character

Evelyn appears a contrast to Amelia in every way: fair where Amelia is dark, demure where Amelia is direct. She dotes on her children and her husband, and has a generous heart - many of her maidservants are down-on-their-luck girls who have been thrown out of other establishments or fallen on hard times.

Yet underneath, she has nerves of steel and a ruthlessly logical mind. In The Snake, the Crocodile, and the Dog, even Amelia, who is used to women being underestimated, is stunned to read a letter account of Evelyn subduing a burglar in her home with a heavy parasol of the kind Amelia herself carries, and to hear Evelyn proposing a possible solution to the mystery that Amelia herself overlooked.

Amelia Peabody Mysteries by Elizabeth Peters
Fiction
  • Crocodile on the Sandbank
  • The Curse of the Pharaohs
  • The Mummy Case
  • Lion in the Valley
  • Deeds of the Disturber
  • The Last Camel Died at Noon
  • The Snake, the Crocodile, and the Dog
  • The Hippopotamus Pool
  • Seeing a Large Cat
  • The Ape Who Guards the Balance
  • The Falcon at the Portal
  • He Shall Thunder in the Sky
  • Lord of the Silent
  • The Golden One
  • Children of the Storm
  • Guardian of the Horizon
  • The Serpent on the Crown
  • Tomb of the Golden Bird
  • A River in the Sky
Non-fiction
  • Amelia Peabody's Egypt: A Compendium
Cast
  • Amelia Peabody
  • Radcliffe Emerson
  • Ramses Emerson
  • Nefret Emerson
  • Sethos
  • Evelyn Emerson
  • David Todros
  • List of Amelia Peabody characters

Read more about this topic:  Evelyn Emerson

Famous quotes containing the word character:

    I wasn’t born to be a fighter. I was born with a gentle nature, a flexible character and an organism as equilibrated as it is judged hysterical. I shouldn’t have been forced to fight constantly and ferociously. The causes I have fought for have invariably been causes that should have been gained by a delicate suggestion. Since they never were, I made myself into a fighter.
    Margaret Anderson (1886–1973)

    In the tale proper—where there is no space for development of character or for great profusion and variety of incident—mere construction is, of course, far more imperatively demanded than in the novel.
    Edgar Allan Poe (1809–1849)

    But the mark of American merit in painting, in sculpture, in poetry, in fiction, in eloquence, seems to be a certain grace without grandeur, and itself not new but derivative; a vase of fair outline, but empty,—which whoso sees, may fill with what wit and character is in him, but which does not, like the charged cloud, overflow with terrible beauty, and emit lightnings on all beholders.
    Ralph Waldo Emerson (1803–1882)