Author Portraits
They originate in the classical secular tradition of the author portrait, which was often the only illustration in a classical manuscript, also used as a frontispiece (not unlike the contemporary author photo, though this is usually shown on the back cover or wrapper). A very few examples of Late Antique secular author portraits survive, and rather more later copies. Some examples also draw on the conventions of the Late Antique consular portrait, much used for the Emperors, who were also consuls. Examples of these, copied from the original, can be seen in the Chronography of 354 (see also the Missorium of Theodosius I of 30 years later). The Evangelist may be holding a book, but is not writing in it, and he faces the front on a large throne, surrounded by an elaborate frame, usually domed or pedimented. These frameworks are thought to draw from the style of the Scaenae frons, or elaborate proscenium structures of Roman theatres.
Read more about this topic: Evangelist Portrait
Famous quotes containing the words author and/or portraits:
“No author has created with less emphasis such pathetic characters as Chekhov has....”
—Vladimir Nabokov (1899–1977)
“You that would judge me do not judge alone
This book or that, come to this hallowed place
Where my friends’ portraits hang and look thereon;
Ireland’s history in their lineaments trace;
Think where man’s glory most begins and ends
And say my glory was I had such friends.”
—William Butler Yeats (1865–1939)