Major Works
The following is a list of plays, musicals, and performance pieces first developed at the O'Neill that have gone on to further success.
- National Playwrights Conference
- The Receptionist – Adam Bock (2006)
- Fuddy Meers - David Lindsay-Abaire (1998)
- Trueblinka – Adam Rapp (1997)
- Seven Guitars – August Wilson (1994)
- The Piano Lesson – August Wilson (1986)
- Joe Turner's Come and Gone – August Wilson (1984)
- Fences – August Wilson (1983)
- Fences - August Wilson (1982)
- Danny and the Deep Blue Sea - John Patrick Shanley (1982)
- Ma Rainey's Black Bottom – August Wilson (1982)
- Agnes of God – John Pielmeier (1979)
- FOB – David Henry Hwang (1979)
- Bent – Martin Sherman (1978)
- Uncommon Women and Others – Wendy Wasserstein (1977)
- A History of the American Film – Christopher Durang (1976)
- Madmen and Specialists - Wole Soyinka (1970)
- House of Blue Leaves - John Guare (1966)
- National Musical Theater Conference
- Tales of the City (2009)
- In the Heights (2005)
- Avenue Q (2002)
- The Wild Party (1997)
- Nine (1979)
- Cabaret & Performance Conference
- The Story of My Life (2006)
- title of show (2005)
- National Critics Conference
- Chelsea on the Edge: The Adventures of an American Theater – Davi Napoleon
Read more about this topic: Eugene O'Neill Theater Center
Famous quotes containing the words major and/or works:
“Society needs to condemn a little more and understand a little less.”
—John Major (b. 1943)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)