Performance History
Tchaikovsky worried whether the public would accept his opera, which lacked traditional scene changes. He believed that its performance required maximum simplicity and sincerity. With this in mind, he entrusted the first production to the students of the Moscow Conservatory. The premiere took place on 29 March (17 March O.S.) 1879 at the Maly Theatre, Moscow, conducted by Nikolai Rubinstein, with set designs by Karl Valts (Waltz).
Two years later the first performance at the Bolshoi Theatre in Moscow took place on 23 January (11 January O.S.) 1881 with conductor Eduard Nápravník.
Outside Russia the initial reception was lukewarm, and it was slow to conquer other European cities, being seen as a Russian curiosity. The first performance outside Russia took place on 6 December 1888 in Prague conducted by Tchaikovsky himself. It was sung in Czech and translated by Marie Červinková-Riegrová.
The first performance in Hamburg, on 19 January 1892, was conducted by Gustav Mahler, in the composer's presence. Tchaikovsky was applauded after each scene and received curtain calls at the end. He attributed its success to Mahler, whom he described as "not some average sort, but simply a genius burning with a desire to conduct".
The first performance in England took place on 17 October 1892 at the Olympic Theatre in London with Henry J. Wood conducting. This performance was sung in English, to a text translated by H. S. Edwards.
Vienna first saw Eugene Onegin on 19 November 1897, conducted by Gustav Mahler.
The United States premiere was given on 24 March 1920 at the Metropolitan Opera in New York. The opera was sung in Italian.
Read more about this topic: Eugene Onegin (opera)
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