Ethereal Wave

Ethereal Wave, also called ethereal darkwave in Europe and ethereal goth or simply ethereal in the US, is a term that describes a subgenre of Dark Wave music. Developed in 1983/1984 as an outgrowth of gothic rock, ethereal was mainly represented by bands such as Cocteau Twins and early Dead Can Dance.

The website "A Study of Gothic subculture" describes it as being "most characterized by soprano female vocals combined with bass, lead guitar, and drums which creates a surreal, angelic or otherworldly effect e.g. Love Spirals Downwards, Cocteau Twins. Sometimes, a male vocalist will also be in the group along with the female vocalist. Even more rarely will there be only a male vocalist, but it is still considered ethereal if the mood created is otherworldly and surreal."

There are overlaps between Ethereal Wave, shoegazing and dream pop, with many artists being heavily influenced by 4AD bands, Dead Can Dance, Cocteau Twins, and This Mortal Coil, as well as early All About Eve and Siouxsie and the Banshees. The American Ethereal group Siddal for example described their music as follows: "A product of influences such as the Cocteau Twins, Low, Slowdive, The Cure, and Dead Can Dance, use a blend of ambient music, shoegazer style guitars, synths and sequenced rhythms."

Ethereal is strongly associated with the Projekt label, which features some of the most well known names of the US scene. Ethereal music has been featured in the theme song for the television series Nip/Tuck. Other labels that feature some of the leading lights of the movement are Tess Records (This Ascension, Autumn), Yvy Records (Faith & Disease) and Middle Pillar (Aenima).

Read more about Ethereal Wave:  Notable Artists

Famous quotes containing the words ethereal and/or wave:

    Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.
    Henri-Frédéric Amiel (1821–1881)

    I sometimes compare press officers to riflemen on the Somme—mowing down wave upon wave of distortion, taking out rank upon rank of supposition, deduction and gossip.
    Bernard Ingham (b. 1932)