Plot
Three high school students experience the perks and pitfalls of love in director Leste Chen's sensitive tale of friendship and yearning.
As a child living in a seaside town in southern Taiwan, studious Jonathan (Bryant Chang) was asked by his concerned teacher to look after rebellious classmate Shane (Joseph Chang). Ten years later, what was once a good-natured obligation has since blossomed into a warm friendship, with Jonathan still on the academic track and Shane now finding his calling on the basketball court.
Taiwan-born schoolgirl Carrie (Kate Yeung) arrives from Hong Kong to join her mother after a disagreement with her father and transfers to their school. She befriends Jonathan and convinces him to join her on a secret day-trip to Taipei and in the evening she seduces him in a sleazy hotel but Jonathan backs down clearly distraught. Eventually, her observations of his and Shane's friendship leads her to believe that he is gay and in love with his best friend.
Carrie then meets Shane through Jonathan after a school day where Shane develops an interest in Carrie. Despite her initial misgivings about the boorish Shane, she eventually gives in to the troublemaker's roguish charms. She accepts his offer to become his girlfriend on the condition that he manages to enter university.
Later, Shane pulls his act together and tests into University, but Jonathan, distracted by his burgeoning sexual identity crisis, does not. Shane does his best to keep his feelings for Carrie secret in order to protect the feelings of his lifelong friend. Despite all their best efforts to keep their personal feelings secret, the truth eventually emerges, forcing all three to view their relationships in an entirely new light.
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Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
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